| 翻訳と辞書 |
| Dye-transfer process ： ウィキペディア英語版 |
Dye-transfer process
Dye transfer is a continuous-tone color photographic printing process.
==History==
Technicolor introduced dye transfer in its Process 3, introduced in the feature film ''The Viking'' (1928), which was produced by the Technicolor Corporation and released by Metro-Goldwyn-Mayer. Technicolor's two previous systems were an additive color process and a poorly received subtractive color process, the latter requiring two prints cemented together back-to-back. Process 3 used an imbibition process borrowed from the earlier Handschiegl color process, originally created in 1916 for Cecil B. DeMille's feature film ''Joan the Woman'' (1917). Technicolor further refined the imbibition dye transfer process in its Process 4, introduced in 1932, which employed three simultaneously filmed negatives.〔(Technicolor entry at Widescreen Museum )〕
In the 1940s, this process was popularized by Eastman Kodak for general-purpose graphic arts work, but not for motion picture work, which remained exclusive to Technicolor (and for which Eastman Kodak was manufacturing Technicolor's light-sensitive camera and printing films, including the "blank receiver" film, on an exclusive basis, but ''not'' Technicolor's dyes), and is sometimes referred to by such generic names as "wash-off relief printing" and "dye imbibition" printing. The process requires making three printing matrices (one for each subtractive primary color) which absorb dye in proportion to the density of a gelatin relief image. Successive placement of the dyed film matrices, one at a time, "transfers" each primary dye by physical contact from the matrix to a mordanted, gelatin-coated paper.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Dye-transfer process」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|